25th International Festival “The Days of Organ – Dies orgranorum”: TRIO FLAMMA

Program:
Georg Friedrich Händel (1685–1759)
Aria Pour forth no more unheeded pray’rs from oratorio Jephtha, HWV 70

Johann Sebastian Bach (1685–1750)
Aria Qia fecit mihi magna from Magnificat in E flat major, BWV 243a

Dieterich Buxtehude (1637–1707)
Sarabande from Suite in E minor, BuxWV 235 (transcription for cello)

Johann Sebastian Bach
Gratias agimus tibi from Mass in G minor, BWV 235

Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664

Recitative Ich habe genug i Aria Schlummert ein, ihr matten Augen from church cantata Ich habe genug, BWV 82

Giovani Battista Sammartini (1700–1775)
First movement from Sonata no. 3 in A minor for cello and organ

Johann Sebastian Bach
Aria Erleucht’ auch meine finstre Sinnen from Christmas Oratorio, BWV 248

Georg Friedrich Händel
Voluntary No. 3 in A minor for organ

Recitative Let me congratulate this happy turn and Aria Laud her, all ye virgin train from oratorio Jephtha, HWV 70

Biographies:
Trio Flamma
Milan Stančić graduated at the Department of Music Theory of the Faculty of Music in Belgrade (2008) and at the Academy of Arts, Slobomir P University in Bjeljina, Solo Singing in the class of Verica Pejić (2020). He specialized in the interpretation of early music actively attending master classes with prominent vocal pedagogues Marjana Miljanović, Valentina Tashkova, Predrag Đoković, Octavio Arevalo among others. He particularly distinguished himself in the interpretation of Bach, Handel and Monteverdi. During his singing career, he had the opportunity to collaborate with excellent instrumentalists, proven both in the field of early music and in other musical styles. In his rich concert practice, he has performed with numerous ensembles such as VisAntiqua, Putući svirači, Nimbus, Renaissance, Ecumenical male choir, Vocal Ensemble of the New Belgrade Opera and Opera Madlenianum, etc. He has successfully performed at festivals and concerts throughout the region and Europe.

Đorđe Milosević graduated of the class of Prof. Sandra Belić at the Faculty of Music in Belgrade. As a scholarship holder of the Government of Luxembourg, he studied at the National Conservatory of Music in the class of Professor Claude Giampellegrini.
He regularly performs as a soloist and as a member of various chamber ensembles. Djordje gave concerts at many domestic and foreign music festivals. He is actively involved in promoting the works of contemporary Serbian composers, and has had the opportunity to premiere a significant number of cello compositions by domestic authors. He has made recordings for Radio and Television of Serbia, as well as for ERT and the European Broadcasting Union.

Milica Sabljić studied organ with Maja Smiljanić Radić at the Faculty of Music in Belgrade, where she graduated in 2005. In 2007, she enrolled in undergraduate studies of concert organ at the University of Music and Performing Arts in Graz, with Dalibor Miklavčič, and later Ulrich Walter, graduating in 2011. During her studies, she held scholarships from the Rotary Foundation in Düsseldorf, the association Friends of the University of Music and Performing Arts in Graz, and the Martha Debelli Foundation in Graz. Milica is a frequent participant at the Days of Organ festival in Belgrade. She attended master classes with Jon Laukvik, Ludger Lohmann, Yves Rechsteiner, Gunnar Idenstam, Carlo Hommel, and Johann Trumer. She has performed concerts as a soloist and chamber musician in in Serbia, Austria, Italy, and Slovenia. Milica is a member of the Trio Flamma, ensemble that performed at the 20th edition of the Dies organorum festival in 2020 and in 2024 at a concert in the Roman Catholic parish of the Exaltation of the Holy Cross in Ruma. She frequently performs with Piano duo M&M and the early music ensemble VisAntiqua.
She works as an organ teacher at the music schools Josip Slavenski and Stanković in Belgrade.